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Vol. I — An Atelier for Comics

Your story,
our craft.

An atelier for AI comics. Describe your story. Pick a style. Get finished pages — printed pages or vertical scroll — with characters that stay recognizable across every panel of every page. Nothing else.

Begin your first comicSee samples below
Vol. II — The Proof

Same two characters. Four panels. Four settings. Recognizable across the whole story. This is what a comic-specific tool is for.

Mira browsing a bookstore shelf, Kei visible through the gap between the books as he notices her
The bookstore01
Mira mid-laugh at a café table in warm evening light, Kei watching her across the table
The café02
Mira and Kei walking close together under one umbrella on a rainy city street at night
The rain03
Mira and Kei standing at a rooftop railing at dawn, turned toward each other
The rooftop04

Most AI image tools produce beautiful one-off pictures. Try to make a comic and your character's face changes every panel. We built a comic tool because a comic needs one.

What you get

Two page shapes. A comic page is 1664 × 2496 pixels — a 2:3 ratio, the same proportion as the inner frame of a printed manga page. A webtoon is built from 800 × 1280 units that stack into one vertical strip with no gutter between them, which is what WEBTOON Canvas and Tapas expect. You pick the shape before you write; it is page geometry, not a filter.

A comic page: four bordered panels in a print grid with white gutters — a wide establishing shot of a lit bookshop in the rain, two middle panels, and a wide bottom panel of two characters meeting in the doorway.
Comic page — 1664 × 2496, bordered panels and gutters.
A webtoon unit: three full-width horizontal bands stacked with no side margins — the same bookshop street, the same character at the window, the same man looking up from his book inside.
Webtoon unit — 800 × 1280, full-width bands, stacks with no gutter.
The same beat of the same story, generated in both shapes.

Nineteen styles, from black-and-white manga with screentone through painted fantasy, cyberpunk sci-fi, 1940s noir and flat-colour cartoon. Style and format are separate choices — noir renders on a printed page or a vertical scroll equally.

Dialogue in thirty-four languages, lettered into the speech bubbles as the page is drawn rather than translated and pasted over the art afterwards. The bubble is sized for the script it holds.

The same comic panel — a woman at a lit bookshop window in the rain — with the speech bubble lettered in English: It's still here.
English
The same comic panel — a woman at a lit bookshop window in the rain — with the speech bubble lettered in Español: Sigue aquí.
Español
The same comic panel — a woman at a lit bookshop window in the rain — with the speech bubble lettered in Deutsch: Es gibt ihn noch.
Deutsch
The same comic panel — a woman at a lit bookshop window in the rain — with the speech bubble lettered in Français: Elle est toujours là.
Français
The same comic panel — a woman at a lit bookshop window in the rain — with the speech bubble lettered in 日本語: まだあるんだ。
日本語
The same comic panel — a woman at a lit bookshop window in the rain — with the speech bubble lettered in 한국어: 아직 있네.
한국어
The same moment and the same line, lettered six times. Each is a separate generation, so the backgrounds vary — what is held constant is the dialogue, not the pixels.

Up to six named characters in a story, each with their own reference sheet, and up to 400 pages — long enough for a serialised run rather than a one-off strip.

If a page comes out wrong, you can redraw it for 100 coins — either rerolling the same beat for a fresh image, or giving an instruction and having the beat itself rewritten. The last three versions of every page are kept, so you can go back to one you preferred.

A comic panel of a woman in a mustard-yellow raincoat under a clear umbrella outside a lit bookshop in the rain.
Before.
The same panel after the instruction: the same woman, pose, umbrella, street and lighting, with her raincoat now deep red instead of mustard-yellow.
After — “make the raincoat red.”
Her face, pose, umbrella and the street behind her carry over; the coat changes. A redraw is a new render rather than a retouch, so fine detail shifts slightly — comparing the two, about a fifth of the image differs, nearly all of it the coat. Produced with the same image model the editor uses, to show the behaviour.
How the faces hold

It is a picture. Before any page is drawn, each character gets a reference sheet: a single image with two panels — a close-up of the face and a full-body view. Every page of the story is then drawn from that sheet, not from your description.

This is the whole trick, and it is why a general image tool cannot do it. Asking a model for “the same woman, now in a café” gives you a new woman who matches the words. Handing it a picture of her and asking for the same person in a café gives you her.

Both routes end at the same place. Describe a character in words and a sheet is generated from the description; upload a photo and the face is redrawn into your chosen style as a sheet. After that the pipeline is identical — which is why a described character holds together just as well as a photographed one.

The four pages above were generated this way — one story, two characters, four settings, no retouching. The longer version, with the comparison table.

Interlude — Nineteen Disciplines

Every comic tradition has its own voice. Nineteen of them, waiting.

A white-haired swordsman in a black coat faces a runed gate, then stands among floating blue spirit swords
Manhwa
Vertical webtoon, cinematic light.
A caped figure watches a neon skyline at sunset from a rooftop; below, a woman with lightning crackling in her hand answers him
Superhero
Bold ink, primary palette.
An armoured knight on a cliff watches a red dragon breathe fire over a burning valley, then grips a glowing sword
Fantasy
Painterly landscapes, epic light.
A schoolgirl on a rooftop at sunset above a city skyline, crying as she turns, reaching for an outstretched hand
Anime
Cel-shaded color, expressive eyes.
Two swordsmen lock blades in a shower of sparks; a scarred fighter grins, and a katana cracks under the strain
Manga
Black-and-white ink, screentone shadows.
A hooded figure with a glowing cyan eye walks a rain-soaked street lit by Japanese neon signs, sword at his side
Sci-Fi
Cyberpunk neon or Moebius clean-line.
A trench-coated detective under a lone streetlamp in the rain, a lit cigarette in close-up, a woman silhouetted in the alley ahead
Noir
High-contrast shadow, silent tension.
A woman in a dim wooden corridor turns to find a spiral swallowing half her face, and her fingertips curling into spirals
Horror
Ink-heavy dread, Junji Ito lineage.
A boy balances a towering stack of pancakes on a kitchen chair, then wears them all as the dog leaps at him
Comedy
Bright palette, exaggerated expression.
A robed swordsman on a misty mountain peak looks down at a temple below, cranes overhead, then climbs its stone stairs
Manhua
Chinese comic tradition, martial-arts lineage.
An old samurai sits on a veranda in falling cherry blossom, cradling a small carved figure; a tear runs from his weathered eye
Seinen
Mature manga, dense line work.
A small boy flies a kite across three panels as the sky shifts from midday blue to evening gold
Comic Book
Classic western ink, halftone shading.
A boy in a cardboard cape pedals a bike across a back garden, launches off a hose, and hangs mid-air as his sister watches
Cartoon
Bold outlines, flat vibrant colors.
A woman in a pale dress carries a basket up a flowered path to a cottage, her hand brushing lavender as she goes
Watercolor
Transparent washes, paper-white highlights.
An elderly woman by a window holds a ribbon-tied bundle of letters, a bird on the sill, and unties them in her chair
Pencil Sketch
Grayscale graphite, cross-hatched shadows.
A woman in a dark red gown reads a letter by candlelight at a wooden desk, her face lit from below
Oil Painting
Thick impasto, Old Master palette.
A young man buys a newspaper outside a Parisian cafe, reads a political headline, and looks up in alarm over his coffee
Line Art
Pure black on white, zero fill.
A pink-haired girl in a chef's hat presents an enormous frosted cupcake in a pastel bakery while a small boy stares up at it
Chibi
Kawaii super-deformed, huge eyes.
A sword-carrying hero stands by a well in a tiled village square, then sets off down a path toward a distant stone dungeon
Pixel Art
16-bit SNES palette, integer grid.
What it costs

The first one is free and does not need an account. Write a story, pick a style, and you get your cover and first page — no sign-up, no card, about two to three minutes. The free preview takes two characters; a full story takes six.

Starter
$9.99
2,000 coins / month
Plus
$24.99
7,000 coins / month
Pro
$59.99
20,000 coins / month

Coins are spent on generation, so what a plan buys depends on what you make — a redrawn page costs 100. Cancel anytime. Full pricing, with coin packs.

Vol. III — The Invitation

Make your first comic
this week.

Your cover and first page are free, with no account and no card. Keep going when you like what you see — plans from $9.99. Cancel anytime.

Start your first comic
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